105 neue E-Books („JSTOR E-Books in Art, Design and Photography“) als FID-Lizenz verfügbar

Wir konnten – mit Unterstützung der DFG - unser Angebot an kunstwissenschaftlich relevanten E-Books, die als FID-Lizenz deutschlandweit für einen fachspezifischen Nutzerkreis bereitgestellt werden, um 105 englischsprachige Titel internationaler Verlage erweitern.
Sie können auf dieses Volltext-Angebot zugreifen, sofern Sie sich registriert haben und zum berechtigten Nutzerkreis gehören. Weitere Informationen dazu finden Sie auf unserer Service-Seite FID-Lizenzen.
Die e-Books wurden von der UB Heidelberg und der SLUB Dresden aus dem Angebot JSTOR Books ausgewählt und erworben.

Außerdem stehen als FID-Lizenzen diese Angebote  zur Verfügung:

  • The Index of Medieval Art (Princeton University) (ehemals Index of Christian Art)
  • 307 E-Books italienischer und spanischer Verlage (Torossa E-Books, Casalini)
  • Faenza. Bollettino del Museo Internazionale delle Ceramiche in Faenza; rivista bimestrale di studi storici e di tecnica dell'arte ceramica, 2011ff. (Torossa E-Journals, Casalini)

Liste der neuen Titel:

  •  Apollo and Vulcan: The Art Markets in Italy, 1400-1700 (Michigan State University Press, 2011)
  • Gilles Deleuze and the Ruin of Representation (University of California Press, 1999)
  • Artifacts and Allegiances: How Museums Put the Nation and the World on Display (University of California Press, 2015)
  • Orientalist Aesthetics: Art, Colonialism, and French North Africa, 1880-1930 (University of California Press, 2003)
  • The Pilgrim Art: Cultures of Porcelain in World History (University of California Press, 2010)
  • Subtle Bodies: Representing Angels in Byzantium (University of California Press, 2001)
  • Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts (University of California Press, 2013)
  • Mediating Netherlandish Art and Material Culture in Asia (Amsterdam University Press, 2014)
  • The German Werkbund: The Politics of Reform in the Applied Arts (Princeton University Press, 1978)
  • Kentucky by Design: The Decorative Arts and American Culture (University Press of Kentucky , 2015)
  • Marxism and the History of Art: From William Morris to the New Left (Pluto Books, 2006)
  • Hidden in the Shadow of the Master: The Model- Wives of Cézanne, Monet, and Rodin (Yale University Press, 2008)
  • Design And Truth (Yale University Press, 2010)
  • Mute Poetry, Speaking Pictures (Princeton University Press, 2013)
  • The Early Renaissance and Vernacular Culture (Harvard University Press, 2012)
  • Giotto and His Publics: Three Paradigms of Patronage (Harvard University Press, 2011)
  • Solar Dance: Van Gogh, Forgery, and the Eclipse of Certainty (Harvard University Press, 2012)
  • Cultural Exchange: Jews, Christians, and Art in the Medieval Marketplace (Princeton University Press, 2013)
  • Spirit of the Delta: The Art of Carolyn Norris (University Press of Mississippi, 2011)
  • What Art Is (Yale University Press, 2013)
  • Reading Abstract Expressionism: Context and Critique (Yale University Press, 2005)
  • Thomas Hovenden: His Life and Art (University of Pennsylvania Press, 2006)
  • Art at Auction in 17th Century Amsterdam (Amsterdam University Press, 2002)
  • In His Milieu: Essays on Netherlandish Art in Memory of John Michael Montias (Amsterdam University Press, 2006)
  • Exhibiting Cinema in Contemporary Art (Amsterdam University Press, 2013)
  • Why Are Artists Poor?: The Exceptional Economy of the Arts (Amsterdam University Press, 2002)
  • A Real Van Gogh: How the Art World Struggles with Truth (Amsterdam University Press, 2010)
  • The Learned Eye: Regarding Art, Theory, and the Artist's Reputation (Amsterdam University Press, 2005)
  • Rembrandt's Reading: The Artist's Bookshelf of Ancient Poetry and History (Amsterdam University Press, 2003)
  • Rembrandt, Reputation, and the Practice of Connoisseurship (Amsterdam University Press, 2004)
  • Art in Progress: A Philosophical Response to the End of the Avant-Garde (Amsterdam University Press, 2003)
  • Early Netherlandish Paintings: Rediscovery, Reception and Research (Amsterdam University Press, 2005)
  • The Visible World: Samuel van Hoogstraten's Art Theory and the Legitimation of Painting in the Dutch Golden Age (Amsterdam University Press, 2008)
  • How to Study Art Worlds: On the Societal Functioning of Aesthetic Values (Amsterdam University Press, 2009)
  • The Rise of the Cult of Rembrandt: Reinventing an Old Master in 19th-century France (Amsterdam University Press, 2003)
  • Nabokov and the Art of Painting (Amsterdam University Press, 2006)
  • Art Market and Connoisseurship: A Closer Look at Paintings by Rembrandt, Rubens and Their Contemporaries (Amsterdam University Press, 2008)
  • Inventing Falsehood, Making Truth: Vico and Neapolitan Painting: Vico and Neapolitan Painting (Princeton University Press, 2013)
  • Essay on Gardens: A Chapter in the French Picturesque (University of Pennsylvania Press, 2003)
  • A Living Exhibition: The Smithsonian and the Transformation of the Universal Museum (University of Massachusetts Press, 2013)
  • The Medieval Salento: Art and Identity in Southern Italy (University of Pennsylvania Press, 2014)
  • The Serpent and the Lamb: Cranach, Luther, and the Making of the Reformation (Yale University Press, 2011)
  • The Artist and the Warrior: Military History through the Eyes of the Masters (Yale University Press, 2011)
  • Picturing Russia: Explorations in Visual Culture (Yale University Press, 2008)
  • Panaesthetics: On the Unity and Diversity of the Arts (Yale University Press, 2014)
  • Bernard Berenson: A Life in the Picture Trade (Yale University Press, 2013)
  • Fictions of Art History (Yale University Press, 2013)
  • PUR Facts: Conservation of Polyurethane Foam in Art and Design (Amsterdam University Press, 2011)
  • The Universal Art of Samuel van Hoogstraten (1627-1678): Painter, Writer, and Courtier (Amsterdam University Press, 2013)   The Signature Style of Frans Hals: Painting, Subjectivity, and the Market in Early Modernity (Amsterdam University Press, 2012)
  • Hiding Making - Showing Creation: The Studio from Turner to Tacita Dean (Amsterdam University Press, 2013)
  • Jorge Oteiza, hacedor de vacíos (Marcial Pons Ediciones de Historia, 2011)
  • Tiziano y las cortes del Renacimiento (Marcial Pons Ediciones de Historia, 2013)
  • Las imágenes de la discordia: Política artística en el tiempo de los Reyes Católicos (Marcial Pons Ediciones de Historia, 2007)
  • Text and Image in Modern European Culture (Purdue University Press, 2012)
  • The Memory Factory: The Forgotten Women Artists of Vienna 1900 (Purdue University Press, 2012)
  • Victorian Culture and Classical Antiquity: Art, Opera, Fiction, and the Proclamation of Modernity (Princeton University Press, 2011)
  • Picture Perfect: Life in the Age of the Photo Op (Princeton University Press, 2008)
  • Old Masters and Young Geniuses: The Two Life Cycles of Artistic Creativity (Princeton University Press, 2006)
  • Stealing the Show: Seven Women Artists in Canadian Public Art (McGill-Queens University Press, 1994)
  • Seduced by Modernity: The Photography of Margaret Watkins (McGill-Queens University Press, 2007)
  • The Collected Letters of William Morris, Volume II, Part A: 1881-1884 (Princeton University Press, 1987)
  • The Theory of the Arts (Princeton University Press, 1982)
  • Crafting Identity: The Development of Professional Fine Craft in Canada (McGill-Queens University Press, 2005)
  • Renaissance Perspectives in Literature and the Visual Arts (Princeton University Press, 1987)
  • The Collected Letters of William Morris, Volume II, Part B: 1885-1888 (Princeton University Press, 1987)
  • Sphaerae Mundi: Early Globes at the Stewart Museum, Montreal (McGill-Queens University Press, 2000)
  • The Practice of Her Profession: Florence Carlyle, Canadian Painter in the Age of Impressionism (McGill-Queens University Press, 2009)
  • In Good Hands: The Women of the Canadian Handicrafts Guild (McGill-Queens University Press, 1999)
  • Suspended Conversations: The Afterlife of Memory in Photographic Albums (McGill-Queens University Press, 2001)
  • Reclaiming William Morris: Englishness, Sublimity, and the Rhetoric of Dissent (McGill-Queens University Press, 1996)
  • Jan van Noordt: Painter of History and Portraits in Amsterdam (McGill-Queens University Press, 2007)
  • Angel in the Sun: Turner's Vision of History (McGill-Queens University Press, 1999)
  • Arctic Artist: The Journal and Paintings of George Back, Midshipman with Franklin, 1819-1822 (McGill-Queens University Press, 1994)
  • A Russian Paints America: The Travels of Pavel P. Svin'in, 1811-1813 (McGill-Queens University Press, 2008)
  • The End of the American Avant Garde: American Social Experience Series (New York University Press, 1997)
  • Modern Theories of Art 2: From Impressionism to Kandinsky (New York University Press, 1998)
  • Modern Theories of Art 1: From Winckelmann to Baudelaire (New York University Press, 1990)
  • Made in Canada: Craft and Design in the Sixties (McGill-Queens University Press, 2005)
  • The Invention of a People: Heidegger and Deleuze on Art and the Political (Edinburgh University Press, 2015)
  • Bergson and the Art of Immanence: Painting, Photography, Film, Performance (Edinburgh University Press, 2013)
  • Singular Images, Failed Copies: William Henry Fox Talbot and the Early Photograph (University of Minnesota Press, 2015)
  • Bauhaus Weaving Theory: From Feminine Craft to Mode of Design (University of Minnesota Press, 2014)
  • Architecture since 1400 (University of Minnesota Press, 2014)
  • Seeing Witness: Visuality and the Ethics of Testimony (University of Minnesota Press, 2009)
  • The Insect and the Image: Visualizing Nature in Early Modern Europe, 1500-1700 (University of Minnesota Press, 2011)
  • Engraving the Savage: The New World and Techniques of Civilization (University of Minnesota Press, 2008)
  • Drawing on Art: Duchamp and Company (University of Minnesota Press, 2010)
  • Too Beautiful to Picture: Zeuxis, Myth, and Mimesis (University of Minnesota Press, 2007)
  • Collecting Mexico: Museums, Monuments, and the Creation of National Identity (University of Minnesota Press, 2012)
  • Absolute Artist: The Historiography of a Concept (University of Minnesota Press, 1997)
  • Sheer Presence: The Veil in Manet’s Paris (University of Minnesota Press, 2006)
  • Cinema’s Alchemist: The Films of Péter Forgács (University of Minnesota Press, 2011)
  • Compelling Visuality: The Work of Art in and out of History (University of Minnesota Press, 2003)
  • The Color of Stone: Sculpting the Black Female Subject in Nineteenth-Century America (University of Minnesota Press, 2007)
  • Installation and the Moving Image (Columbia University Press, 2015)
  • Under Suspicion: A Phenomenology of Media (Columbia University Press, 2012)
  • Portable Borders: Performance Art and Politics on the U.S. Frontera since 1984 (University of Texas Press, 2015)
  • The Fleeting Promise of Art: Adorno's Aesthetic Theory Revisited (Cornell University Press, 2013)
  • The Total Work of Art in European Modernism (Cornell University Press, 2011)
  • The Marvellous and the Monstrous in the Sculpture of Twelfth-Century Europe (Boydell & Brewer Group Ltd, 2013)
  • Art, Faith and Place in East Anglia: From Prehistory to the Present (Boydell & Brewer Group Ltd, 2012)
  • Common Land in English Painting, 1700-1850 (Boydell & Brewer Group Ltd, 2012)
  • English Medieval Misericords: The Margins of Meaning (Boydell & Brewer Group Ltd, 2011)
  • The Green Bloc: Neo-avant-garde Art and Ecology under Socialism (Central European University Press, 2015)

1 Kommentar(e)

  • Alexander Markschies
    12.09.2017 23:51
    105 neue E-Books - wow!

    Immerhin! In der Liste ist vieles dabei, das tatsächlich ein Knaller ist, und das es nicht nur verdient, gelesen zu werden, sondern ein wirklicher 105er, also quasi kanonisch ist. Um ein Beispiel zu geben: "Absolute Artist" hilft, die Künstlermonographie zu entideologisieren (warum wird hier eigentlich nicht die Autorschaft angegeben?, in vorliegendem Fall sei er nachgereicht: Catherine M. Soussloff). Also: ganz fix die Bücher weglesen oder zumindest zur Kenntnis nehmen und Daumen drücken, dass noch sehr viel mehr rasch ins Netz kommt.